Movie Babble Link: Mary Poppins Returns

Well, just before Christmas I went to see the much-anticipated sequel no Disney fan asked for, Mary Poppins Returns. Click HERE to see what I thought.

I’ll say this – it certainly surprised me.

Or, as the movie itself rather succinctly put it:

Christmas Shelf Reviews: The Nutcracker Prince (1990)

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1990's, 90's, action, Action-Adventure, adventure, Alexandre Dumas, Always Come Back to You, animated, animated feature, animated movie, animated movie review, animation, Anne of Green Gables, ballet, battle, Canada, Canadian animation, Canadian movie, cartoon review, Christmas, Christmas movie, Christmas review, Clara, Clara and Hans, Clara Stahlbaum, cult classic, Dr. Stahlbaum, Drosselmeier, Drosselmeyer, ETA Hoffman, Fantasy, Fritz, Hans, Hoffman, Jack Bauer, Kiefer Sutherland, kitten, Lacewood Productions, Land of the Dolls, Louise, magic, Marie, Meagan Follows, Mike MacDonald, Mouse King, Mouse Queen, movie review, musical, musical review, Natasha's Brother and Rachele Cappelli, nutcracker, Nutcracker March, Nutcracker Prince, Nutcracker suite, Pantaloon, Pas De Deux, Pavlova, Peter O’Toole, Phyllis Diller, Pirlipat, prince of the dolls, Princess Pirlipat, quest, Romance, Save This Dance, sugarplum fairy, Tchaikovsky, The Racoons, toy soldiers, traditional animation, Trudy, Waltz of the Flowers, Warner Bros., Warner Brothers, Warner Brothers animation

Merry Christmas everyone! To conclude this month of merrymaking we’re looking at an animated Christmas cult classic that I have a bit of a soft spot for. But perhaps it’s best to start at the beginning:

ETA Hoffman’s “The Nutcracker and the Mouse King” is one of my favorite fantasy stories, though chances are you’re more familiar with the famous ballet by Tchaikovsky that it inspired. The music is gorgeous and instantly recognizable, but few know the actual story of The Nutcracker beyond what your average community production rolls out every December. Much of the plot plays out like a variation of Beauty and the Beast with a protagonist akin to The Wizard of Oz’s Dorothy and story elements that wouldn’t feel out of place in a Grimms’ fairytale. Sadly, most of those details were lost in the translation from book to light holiday entertainment. Not that I’m complaining, I love the ballet, but there’s so much more to its origins that people aren’t usually interested in delving into.

I say all this because today’s movie, The Nutcracker Prince, is one of the very few filmic adaptations that pays faithful tribute to both its source material and its theatrical counterpart. In spite of – or perhaps because of – the popularity of the ballet, there’s been only a handful of film versions of Hoffman’s The Nutcracker (or at least a handful compared to something like A Christmas Carol). How good you find each of them to be depends upon your taste and the production value. I’ve found remarkably little about the making of this particular adaption, but that probably has to do with the fact that it was barely a blip on the box office radar. Released through Warner Brothers (which itself would issue another Nutcracker movie starring Maculay Culkin six years later), this was the only full-length animated feature created by Canada’s Lacewood Productions. A shame, really, because looking at The Nutcracker Prince you can see the studio’s potential. But thanks to the home video circuit, the movie has found a new life as a nostalgic Christmas classic for 90’s kids like myself. Let’s unwrap the reasons why, shall we?

Movie Babble Link: Superman:The Godfather of the Modern Superhero Film

40 years ago today, Superman flew into theaters and forever changed the way superheroes are seen on the big screen. Click HERE to read why!

Christmas Shelf Reviews: Toy Story That Time Forgot (2014)

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80s toys, Andy, angel kitty, animated, animated special, animation, Battlesaur Cleric, battlesaurs, Bonnie, Buzz, Buzz Lightyear, cgi animation, Christmas, Christmas review, christmas special, dinosaur toy, dinosaur toys, dinosaurs, Disney, Don Rickles, gladiator, holiday special, Jessie, Jessie the Yodeling Cowgirl, John Lasetter, Kevin McKidd, kristen schaal, Mr. Potato Head, Mr. Pricklepants, Pixar, playset, playtime, presents, pterodactyl, Reptillus, Rex, Sheriff Woody, Steve Purcell, Studio Trigger, t rex, Tim Allen, Tom Hanks, Toy Story, Toy Story of Terror, Toy Story That Time Forgot, triceratops, Trixie, Wallace Shawn, Woody

I’m not sure which astounds me more – that it took me this long to finally talk about Pixar, or that the first Pixar thing I’ll be reviewing isn’t one of their movies.

Toy Story is a series that I’d say had its highs and lows if it wasn’t for the general opinion that it’s been nothing but highs – and I can see where that would stem from. No one expected the first fully computer animated film to be more than a novelty, let alone a box-office success, and especially not a cultural phenomenon that put Pixar on the map. The whole story of Toy Story’s genesis is worth an analysis of its own, but I’m saving that for when I look into one of the actual movies themselves. For now, the special.

Despite every plot point and character arc of the Toy Story saga being nicely wrapped up at the end of the third movie, that didn’t stop the Pixar crew from playing around with their toys; if anything, a new locale and characters meant even more storytelling possibilities. So when they weren’t twiddling their thumbs debating whether it was too soon to make Toy Story 4, they began releasing Toy Story shorts in front of select movies. They were fast, funny, and always in the spirit of the trilogy. Then in October 2013 came their very first television special, Toy Story of Terror, which I consider one of the most perfect half-hour holiday themed pieces of programming to grace the airwaves (suck it, Great Pumpkin). It was a dark adventure that cleverly paid homage to classic horror tropes without losing that trademark Pixar humor and heart. But perhaps what I love most about it is how it expanded upon one of my favorite characters from the series, Jessie, and elevated her to the spotlight. I know I’m not alone in noticing how Pixar is something of a boys club when it comes to their features, so having the ladies take the field is a nice change.

Ehhhhhhh….

That’s better.

It should come as no surprise that after Toy Story of Terror’s success, another special was greenlit. Originally pitched as a short, some nobody at Pixar named John Lasseter expanded upon it until it became Toy Story That Time Forgot (though apparently he was so busy expanding that he forgot to put a “The” in front of it, thus driving all grammatical sticklers insane). But does the lightning strike twice or does it…something…toy metaphor for failing…

“Look, writing three whole reviews during the busiest month of the year is hard, ok?”

What’s Up For January?

Hey everyone, I know what you’re thinking: with all this hullabaloo during the holidays, will we have time to vote for what’s coming up in January?

Actually, I’ll be doing something a little different then. On January 1st I’ll be posting my very first requested review courtesy of Abby Kane and her $20 charity donation back in August. And this time, I’m not gonna leave it as a surprise.

Abby, this January, I will be reviewing the Disney classic you cared enough about to spread a little love for.

Christmas Shelf Reviews: Mickey’s Christmas Carol (1983)

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1980's, A Christmas Carol, adventures of ichabod and mr. toad, animated, animation, black pete, Bob Cratchit, charles dickens, Christmas, christmas carol, christmas classic, christmas story, daisy duck, Disney, disney animated, disney animation, disney review, Donald Duck, ducktales, Ebenezer Scrooge, ghost, ghost of christmas future, ghost of christmas past, ghost of christmas present, ghost of christmas yet to come, ghosts, goofy, graveyard, graveyard scene, Jacob Marley, jiminy cricket, London, magic, Mickey Mouse, Mickey's Christmas Carol, Minnie Mouse, mole, mr. toad, Peg-Leg Pete, Pete, rat, Scrooge McDuck, the wind in the willows, Tiny Tim, traditional animation, Uncle Scrooge, willie the giant

Some stories are so timeless, so resonant, and so iconic that they deserve to be retold for every generation.

And then there’s Charles Dicken’s A Christmas Carol, which according to IMDB has nearly 200 adaptations. If you decide to watch one a day, it’s almost enough to see you through to next Christmas! And do I need to recap the story of A Christmas Carol? It’s so ubiquitous that the only people who don’t know it must have grown up under a rock. That’s the only explanation I’ll accept.

I wouldn’t call this over abundance of A Christmas Carol a bad thing, however, as each version manages to bring something unique and memorable to the original tale. Like with Peter Pan, there’s one for every generation – well okay, more like five, but you get the idea. It’s great to see people discussing which one they believe is best because there’s no shortage of fascinating takes out there (As for me, I find the best straight adaptation is the 1951 version with Alistair Sim, the best take with a twist is the Muppets one, and the best modern day/parody one is Scrooged). But of course we’re here today to talk about one particular adaptation many have grown up with. For some, it was even their very first exposure to A Christmas Carol. I should know. It was for me.

Mickey’s Christmas Carol actually began as a read-along record album produced in the 70’s and narrated by Scrooge McDuck himself. There’s little differentiating it from its eventual animated counterpart, though the cast of holiday haunts is slightly altered – jolly old wizard Merlin from The Sword in the Stone is the Ghost of Christmas Past, and Snow White’s Wicked Witch takes an even more frightening turn as the Ghost of Christmas Future. In an attempt to revive Mickey Mouse’s waning popularity, it was decided that the story would be perfect fodder for a brand new short. It was originally supposed to premiere on television as a regular holiday special in 1982, but after an animators’ strike delayed production, the short was given a theatrical release one year later alongside a re-issue of The Rescuers. So yes, Mickey’s Christmas Carol was technically the Olaf’s Shoehorned Holiday Adventure of its time. I’m happy to say it earned a much more deserved positive reception, however, even gaining a Best Animated Short Oscar nomination.