October Review: Abbott & Costello Meet Frankenstein (1948)

Tags

1940's, abbott, abbott and costello, abbott and costello meet frankenstein, abbott and costello movie, abby normal, black and white, black and white movie, boris karloff, brain, bud abbot, castle, classic, classic comedy, classic Hollywood, Comedy, count dracula, crossover, florida, frankenstein, frankenstein's brain, frankenstein's monster, funny, glenn strange, Horror, horror comedy, horror for kids, horror movie, house of horrors, lon chaney jr., lou costello, reanimate, reanimate frankenstein, the brain of frankenstein, transformation, universal monsters, Universal Studios, vampire, wax museum, wolfman

When I was a kid, my dad raised me on a steady diet of Abbott and Costello. Some of my fondest memories of the two of us include him popping in a tape of the classic duo’s capers after many of our intense Mario Kart sessions. Bud Abbott and Lou Costello contributed a lot to comedy in their thirty years together, most notably the famous “Who’s On First” routine, but for many they reached their peak with 1948’s Abbott and Costello Meet Frankenstein. The meeting of the two teams sounds like something wouldn’t work in theory but does gangbusters in practice. Bud and Lou’s career needed a boost right around the time Universal’s famous movie monsters were dwindling in popularity, so it was decided to bring the two together. Though some, even Lou Costello, had their doubts, the film was so successful that kicked off a whole series of Abbott and Costello running into other notable monsters and characters (with varying levels of quality). It’s arguably the first mainstream horror-comedy and it’s easy to see why it was such a big hit. It’s a loving homage to Universal’s golden age of horror that knows how to poke fun at the cliches it’s wrought and when to inject terror to up the suspense. Even the contrast between our creature actors’ melodramatic, haunted delivery and Bud and Lou’s rapid-fire responses when played against each other provide just as much laughs as suspense.

January Review: Pinocchio (1940)

Tags

1940's, a real boy, adaptation, animated, animated feature, animated movie, animated movie review, animation, anthropomorphic, anthropomorphic animal, anthropomorphic animals, Bill Tytla, Blue Fairy, Carlo Collodi, children's story, children’s book, Christian Rub, classic, classic disney, classic Hollywood, cleo, Cliff Edwards, coachman, conscience, cricket, Dick Jones, Dickie Jones, Disney, disney animated, disney animated feature, disney animated movie, disney animation, disney golden age, disney review, donkey, donkey scene, donkey transformation, donkeys, figaro, foulfellow, fox and cat, Frank Churchill, Frank Thomas, Fred Moore, Gepetto, giant whale, gideon, Give A Little Whistle, golden age of Hollywood, hand drawn animation, Hi Fiddle Dee Dee, honest john, I've Got No Strings, italy, j. worthington foulfellow, jiminy cricket, Joe Grant, John Lounsbury, lampwick, Little Wooden Head, marionette, Mel Blanc, Milt Kahl, monstro, nine old men, Pinocchio, pleasure island, puppet, puppet show, puppeteers, puppets, real boy, star, stromboli, swallowed by a whale, traditional animation, transformation, Turn On The Old Music Box, Ukelele Ike, Vladimir Tytla, Walt Disney, Walter Catlett, whale, whale chase, When You Wish Upon a Star, wishing star, Wolfgang Reitherman, woodcarver, Woolie Reitherman

“When You Wish Upon A Star
Makes No Difference Who You Are
Anything Your Heart Desires
Will Come To You…”

In my last review, I compared Snow White and the Seven Dwarfs to Star Wars; a blockbuster that captivated audiences, revolutionized filmmaking, and was an all-around fun adventure with a likable cast. Well if Snow White is Disney’s Star Wars – before Disney owned Lucasfilm, I mean – then Pinocchio is undoubtedly Disney’s Empire Strikes Back: refined visuals, more complex storytelling and characters, and much, MUCH darker.

The success of Snow White marked the beginning of big things for Disney animation. The sizable influx of cash meant Walt could build a bigger studio, hire more staff, and give his projects a noticeably larger budget. The question is, where to go from here? What movie could possibly follow the fairest one of all? Investors were clamoring for a sequel and the idea was toyed with for a time, but Walt was not a one-trick pony. Then animator Norm Ferguson brought a copy of Carlo Collodi’s Le avventuri di Pinocchio to Walt’s attention. Walt and a few of his key guys had attended a performance of Yasha Frank’s successful staging of Pinocchio prior to Snow White’s release and noted the story had possibilities for adaptation – plenty of spectacle, cute comic relief critters, etc. Seeing that book sparked Walt’s memory; after reading it, he intended to make Pinocchio his third animated venture behind the upcoming Bambi. But when that movie ran into production troubles, Pinocchio was bumped up to its place. Does it measure up to Snow White, though? Let’s find out.

My Top 20 Favorite Mickey Mouse Shorts

Tags

1930's, 1940's, 1980's, 1990's, 2D animation, 90 years, 90's, adventure, animated, animated short, animated shorts, Brave Little Tailor, cartoon, cartoon review, cgi animation, classic Disney animation, Disney, disney animated, disney animation, disney review, Donald Duck, Epic Mickey, Get a Horse, golden age of Disney animation, goofy, hand drawn animation, House of Mouse, Kingdom Hearts, Little Whirlwind, Lonesome Ghosts, magic, Magician Mickey, Mickey Mouse, Mickey Mouse Club, Mickey’s Mouse Works, Mickey’s Trailer, Minnie Mouse, Mouse Works, Mr. Mouse Takes a Trip, Oswald the Lucky Rabbit, Peg-Leg Pete, Pete, Pluto, Prince and the Pauper, quest, Runaway Brain, short, Steamboat Willie, Symphony Hour, The Band Concert, The Mad Doctor, The Pointer, Through the Mirror, Thru the Mirror, traditional animation, Walt Disney, Wayne Allwine

As a lifelong Disney fan I can’t understate how much of an impact Mickey Mouse has had on me. In childhood, he was an icon and friend – instantly recognizable, a source of joy and entertainment, a hero and a role model. I know this is making me sound like one of those cheesy sponsors reading off a cue card, but when you’re talking about a mouse, expect plenty of cheese to be involved.

In the spirit of Mickey celebrating his 90th birthday, I’d like to share with you my 20 favorite shorts he starred in. Why 20? Because I couldn’t narrow it down to ten and I like to go nine steps beyond as opposed to one.

There were only two rules I set while making this list:

1. Mickey is the main focus, or at the very least he must be given as much to do as the other characters he shares the cartoon with. There’s a lot of great shorts out there that has Mickey’s name in the title – Mickey’s Parrot, Mickey’s Circus, Mickey’s Birthday, Mickey and the Seal, Mickey’s Christmas Carol, etc. – or has his face in the intro that advertises it as his adventure, but upon watching you find they’re really about Donald, Goofy or Pluto or literally anyone else but him.
2. Shorts only, no segments from full-length films or direct-to-video works. This means no Mickey and the Beanstalk from Fun and Fancy Free or various bits from Mickey’s Once/Twice Upon A Christmas, but sadly no Sorcerer’s Apprentice from Fantasia. I thought of excluding any short that ran over the usual length of five to seven minutes to about twenty, but that made my job even harder.

Now before we get to the countdown, here are a few Honorable Mentions:

• Mickey, Donald and Goofy in The Three Musketeers – If I were including full-length films on the list, this would be in the top five, bar none.
• The Sorcerer’s Apprentice from Fantasia – It would easily take the number one spot if it didn’t overlap with the #2 rule.
• Plane Crazy – The mouse’s first appearance on the silver screen, though he wouldn’t make as quite a splash until his sound debut in Steamboat Willie a few years later
• Orphan’s Benefit – One of my favorites as a kid. It made me laugh something fierce and still does, though a large part of it has to do with Donald and Goofy’s segments, hence why it’s only an honorable mention. Also, did you know that the color one we’re mostly familiar with is actually a remake of an earlier black and white version?
• Mickey’s Delayed Date – Pluto and Mickey tussle for attention in this outing.
• Haunted House – Spooky and atmospheric. Classic Disney nightmare fuel.
• The Gorilla Mystery – Mickey plays Minnie’s white knight yet again as he goes to-to-toe with a dangerous gorilla.
• Two-Gun Mickey – An American Tail: Mickey Goes West.
• Mickey’s Surprise Party – After Minnie’s dog spoils the cookies she was making for Mickey, he saves the day with some shockingly transparent corporate sponsorship. At least I take comfort in the fact that Mickey’s favorite cookies are the same as mine.
• Hansel and Gretel – Mickey and Minnie stumble upon a treacherous witch to the ominous strains of Danse Macabre.
• Mickey’s Cabin – Mickey outwits Pete and his dimwitted cousin with a little reverse psychology when they hold him hostage in his winter cabin. Hilarity ensues.
• Croissant – Mickey’s first short in the modern style proved you can’t keep a mouse on a mission down.
• Yodelberg – Continuing with the previous short, it’s modern Mickey at its most fast-paced and stylish fun.
• Shanghaied – It’s up to Mickey to save the day and Minnie again, this time from Pete and his dastardly crew of pirates.
• Mickey’s Christmas Carol – Mickey’s first cartoon in 30 years has him slightly out of the spotlight, but still got him back in the public eye for good.

June Review: Fun and Fancy Free (1947)

Tags

1940's, Action-Adventure, adventure, animated, animated feature, animated movie, animated movie review, animated shorts, animation, beanstalk, bongo, Charlie McCarthy, Dinah Shore, Disney, disney animated, disney animated feature, disney animated movie, disney animation, disney review, Donald Duck, Edgar Bergen, Fantasy, fun and fancy free, goofy, Hollywood, Jack and the beanstalk, jiminy cricket, Luana Patten, Ludwig von drake, lulabelle, lumpjaw, magic, magic beans, magic harp, Mickey and the beanstalk, Mickey Mouse, Mortimer Snerd, movie review, musical, musical review, package feature, quest, Romance, short, shorts, singing harp, Von Drake, willie the giant

Sigh, poor package features, why does nobody like you? Why is it that internet reviewers and Disney critics and fans always seem to give you the shaft? Is it the minimized animation budget? The effort towards story and character that was forcibly driven towards wartime propaganda over actual films? The deviation of a traditional three-act structure in favor of a string of unrelated shorts woven together by a loosely connecting theme or narration? Well in a manner of speaking, it’s a combination of all three. For one thing most people I know prefer to sit down and enjoy a movie that has one uninterrupted story. And yes there are a good number of films, great ones, in fact, that play around with how the story is presented, but as of writing there’s yet to be an audience or even a filmmaker clamoring for an animated equivalent of something like Pulp Fiction.

In theory.

And of course the major factor in all this is the time period in which these movies were made. I’ve already talked about this in my review of The Adventures of Ichabod and Mr. Toad but for those not on the uptake, THERE WAS A FREAKING WORLD WAR WHILE THIS WAS GOING ON. Disney couldn’t afford to do something on the scale of Pinocchio or Fantasia or even Dumbo because his best animators were A, drafted out to fight, B, struggling to work with what little resources they had when the government was also pushing them to remind the public to buy bonds, or C, kicked out because of the disastrous animators’ strike of the early ’40’s. Projects with linear narratives that were considered big scale like Alice in Wonderland, Peter Pan, and Lady and the Tramp were put on hold for virtually a decade. The best they could do was package a bunch of fun little shorts together because releasing them individually wouldn’t bring in as much desperately needed revenue as a full feature would.

And who says these shorts are bad? I don’t! At worst they’re fluffy little time fillers, but at their best they can hold their own with the big leagues of Disney animation. Again, going back to my Ichabod and Mr. Toad review, Disney’s Legend of Sleepy Hollow is the first thing I and a good many others think of when the story comes to mind. I also have the advantage that a lot of people today sadly don’t in that I grew up with virtually all of the package feature shorts in one way or another, either through individual VHS releases or on the Disney Channel as part of shows like Mouse Tracks, Donald’s Quack Attack, or the DTV music videos. It would be years until I saw them all as they were meant to in order as one full film, but blame Disney themselves for that. It’s a Catch-22 situation when it comes to their forgotten films; Disney sees there’s not much public interest in these old movies and so holds out on releasing them for as long as possible, while the public notices Disney never getting around to releasing these movies and think it must be because they’re not worth their time. So nobody wins and we all get smothered under another avalanche of Frozen dvds.

“FROZEN??!!! FROZEN FROZEN FROZEN!!!!!”

“No! Go home! You’re drunk!”

As of writing there’s only two – count ’em, TWO – Walt Disney Animated Classics that have yet to be released fully on Blu-Ray, and they’re, you guessed it, package features. “Make Mine Music” and “Melody Time” to be precise. You wanna know how old the dvds for them are? The advertisements that play before the main menu are for The Tigger Movie and The Little Mermaid 2. That’s THE YEAR 2000. NEARLY TWENTY YEARS AGO. And the only reason why today’s feature “Fun and Fancy Free” got on blu-ray is because the higher ups at Disney decided to combine it with Ichabod & Mr. Toad. So now we have a package blu-ray of two package features (three if you count The Reluctant Dragon which is also on there). It’s Package-ception, if you will. BWOMP.

“She’ll get around to the actual review any minute now, folks.”

Back to the topic at hand, World War Two was finally winding down and the country was in a state of elation from having their boys return home after tearing the Axis powers a new one. Walt Disney had ideas for two full-length features, one inspired by a short story by Sinclair Lewis (I’d say based on but it barely resembles the tale that’s printed) and the other a take on Jack and the Beanstalk starring Mickey Mouse. Neither of them were able to get the treatment he wanted due to story issues and because the first thing to go during wars and Republican administrations is money for the arts. So he compromised by bringing them both into one movie with each of them sharing a half. Looking back I would have loved to have seen what an hour-length or even 75 minute version of Mickey and the Beanstalk would have been like because for all its flaws I enjoy it that much, and I’m tired of holding my breath waiting for Disney to do SOMETHING with “Gigantic”. Bongo on the other hand, I can’t see as anything other than a short, but that’s not a jab at its quality. Yet how do both stand up as a feature? Does it live up to what its title promises? Let’s find out.