See that face smack dab in the middle of the poster there? That’s the face I made when I found out I’d be reviewing one of my favorite Christmas movies (and also when I realized I wouldn’t be publishing it on time; Happy Valentines Day!) Because, honestly, what can I say about Home Alone that hundreds before me already have?
There’s an argument to be made that Home Alone shouldn’t count as a Christmas movie because it’s a story that can be done on any given day of the year – except that Christmas is tied into this film’s very identity. Kevin’s house is full of reds, greens and whites, the soundtrack is stuffed with Christmas tunes, even beloved classics like It’s A Wonderful Life, How The Grinch Stole Christmas and Miracle on 34th Street are playing whenever a TV is turned on. Add themes of family and togetherness and a magical score by John Williams, and you’ve got a movie with Christmas in its DNA.
While Home Alone didn’t impress critics upon release, it made enough bank that it held the title of highest-grossing comedy of all time until 2011. It’s entered the pop culture lexicon not just here in the states but abroad. The film’s release in most former Soviet-occupied countries aligned with the fall of the Berlin Wall, and is so tied to that feeling of holiday cheer and nostalgia for a monumental positive change that it’s broadcast with the same heartfelt frequency as It’s A Wonderful Life in America. “It’s not Christmas without Kevin” has become something of a popular slogan for most stations that air it. But why does this simple story retain so much of its appeal 30 years later?
I expected this movie to have a few votes from those who remembered it as kids. I never expected it to win by a landslide. Lesson learned: never underestimate a nostalgic kids’ movie from the ’90s.
Once upon a time, David Kirschner, producer of An American Tail among other things, took his daughters to the New York Public Library. This visit inspired him to write a story about a fantastical adventure that would get kids excited about reading. The result was The Pagemaster, a 1994 box-office bomb that would go on to develop a cult following among children like me who grew up watching it. Animation historians tend to lump The Pagemaster in with the likes of Thumbelina or Quest For Camelot: 90s features that tried to coast off the success of Disney’s Renaissance films yet failed to match their caliber. But actually, trailers for The Pagemaster played in theaters and on home video a good four years before the movie was released…it was still in production for most of that time so the amount of influence Disney had on it is up for debate, but the point remains. I’m willing to bet what played a major part in its delay was the myriad of problems that cropped up during the filmmaking, from David Kirschner suing the Writers Guild of America for not receiving the sole story credit he felt was owed, to the plot being rewritten in the middle of the animation process, which is never a good thing. I’ve also heard stories about Macaulay Culkin being a diva on set, but knowing what we know now about his abusive father explains a lot so I’m not holding that against him.
And here’s another fun fact I dug up while doing my research: apparently Stephen King of all people wrote the treatment for The Pagemaster, which certainly explains the film’s more horrific elements. Does this means this movie is technically part of the King multiverse? I can see Richard hanging out with The Losers Club on weekends and trying to avoid killer clowns and langoliers in his spare time.
Though it was released under the 20th Century Fox banner, The Pagemaster was the first of only two animated films created by Turner Feature Animation, an off-shoot of Hanna-Barbera founded by media mogul Ted Turner. In hindsight, it’s not surprising that Turner had a hand in this children’s flick with an educational message. Let’s not forget the last animated project he invested himself in was all about teaching kids environmentalism in the cheesiest way possible.
But unlike Captain Planet, does The Pagemaster hold up after all these years? Will it get kids sucked into the magic of reading? And how long can I go without forcing in a Home Alone reference? Read on and find out.
Merry Christmas everyone! To conclude this month of merrymaking we’re looking at an animated Christmas cult classic that I have a bit of a soft spot for. But perhaps it’s best to start at the beginning:
ETA Hoffman’s “The Nutcracker and the Mouse King” is one of my favorite fantasy stories, though chances are you’re more familiar with the famous ballet by Tchaikovsky that it inspired. The music is gorgeous and instantly recognizable, but few know the actual story of The Nutcracker beyond what your average community production rolls out every December. Much of the plot plays out like a variation of Beauty and the Beast with a protagonist akin to The Wizard of Oz’s Dorothy and story elements that wouldn’t feel out of place in a Grimms’ fairytale. Sadly, most of those details were lost in the translation from book to light holiday entertainment. Not that I’m complaining, I love the ballet, but there’s so much more to its origins that people aren’t usually interested in delving into.
I say all this because today’s movie, The Nutcracker Prince, is one of the very few filmic adaptations that pays faithful tribute to both its source material and its theatrical counterpart. In spite of – or perhaps because of – the popularity of the ballet, there’s been only a handful of film versions of Hoffman’s The Nutcracker (or at least a handful compared to something like A Christmas Carol). How good you find each of them to be depends upon your taste and the production value. I’ve found remarkably little about the making of this particular adaption, but that probably has to do with the fact that it was barely a blip on the box office radar. Released through Warner Brothers (which itself would issue another Nutcracker movie starring Maculay Culkin six years later), this was the only full-length animated feature created by Canada’s Lacewood Productions. A shame, really, because looking at The Nutcracker Prince you can see the studio’s potential. But thanks to the home video circuit, the movie has found a new life as a nostalgic Christmas classic for 90’s kids like myself. Let’s unwrap the reasons why, shall we?
As a lifelong Disney fan I can’t understate how much of an impact Mickey Mouse has had on me. In childhood, he was an icon and friend – instantly recognizable, a source of joy and entertainment, a hero and a role model. I know this is making me sound like one of those cheesy sponsors reading off a cue card, but when you’re talking about a mouse, expect plenty of cheese to be involved.
In the spirit of Mickey celebrating his 90th birthday, I’d like to share with you my 20 favorite shorts he starred in. Why 20? Because I couldn’t narrow it down to ten and I like to go nine steps beyond as opposed to one.
There were only two rules I set while making this list:
Mickey is the main focus, or at the very least he must be given as much to do as the other characters he shares the cartoon with. There’s a lot of great shorts out there that has Mickey’s name in the title – Mickey’s Parrot, Mickey’s Circus, Mickey’s Birthday, Mickey and the Seal, Mickey’s Christmas Carol, etc. – or has his face in the intro that advertises it as his adventure, but upon watching you find they’re really about Donald, Goofy or Pluto or literally anyone else but him.
Shorts only, no segments from full-length films or direct-to-video works. This means no Mickey and the Beanstalk from Fun and Fancy Free or various bits from Mickey’s Once/Twice Upon A Christmas, but sadly no Sorcerer’s Apprentice from Fantasia. I thought of excluding any short that ran over the usual length of five to seven minutes to about twenty, but that made my job even harder.
Now before we get to the countdown, here are a few Honorable Mentions:
Mickey, Donald and Goofy in The Three Musketeers – If I were including full-length films on the list, this would be in the top five, bar none.
The Sorcerer’s Apprentice from Fantasia – It would easily take the number one spot if it didn’t overlap with the #2 rule.
Plane Crazy – The mouse’s first appearance on the silver screen, though he wouldn’t make as quite a splash until his sound debut in Steamboat Willie a few years later
Orphan’s Benefit – One of my favorites as a kid. It made me laugh something fierce and still does, though a large part of it has to do with Donald and Goofy’s segments, hence why it’s only an honorable mention. Also, did you know that the color one we’re mostly familiar with is actually a remake of an earlier black and white version?
Mickey’s Delayed Date – Pluto and Mickey tussle for attention in this outing.
Haunted House – Spooky and atmospheric. Classic Disney nightmare fuel.
The Gorilla Mystery – Mickey plays Minnie’s white knight yet again as he goes to-to-toe with a dangerous gorilla.
Two-Gun Mickey – An American Tail: Mickey Goes West.
Mickey’s Surprise Party – After Minnie’s dog spoils the cookies she was making for Mickey, he saves the day with some shockingly transparent corporate sponsorship. At least I take comfort in the fact that Mickey’s favorite cookies are the same as mine.
Hansel and Gretel – Mickey and Minnie stumble upon a treacherous witch to the ominous strains of Danse Macabre.
Mickey’s Cabin – Mickey outwits Pete and his dimwitted cousin with a little reverse psychology when they hold him hostage in his winter cabin. Hilarity ensues.
Croissant – Mickey’s first short in the modern style proved you can’t keep a mouse on a mission down.
Yodelberg – Continuing with the previous short, it’s modern Mickey at its most fast-paced and stylish fun.
Shanghaied – It’s up to Mickey to save the day and Minnie again, this time from Pete and his dastardly crew of pirates.
Mickey’s Christmas Carol – Mickey’s first cartoon in 30 years has him slightly out of the spotlight, but still got him back in the public eye for good.
For a very brief couple of seconds on October 9th of this year some of you may have noticed that this review went up all of a sudden just to disappear as quickly. I’ve said before it was due to some issues trying to reschedule the review for another date in December and had to give away the surprise that I’d be looking at more holiday shorts. Well, here’s the actual review. Let’s hope it doesn’t disappoint as I review at another nostalgic staple from my childhood, Rugrats.
An animated show that takes place from the point of view of a baby doesn’t sound like a particularly risky idea, but back when it was among the first crop of original Nicktoons to be pitched to Nickelodeon, it was. Suffice it to say that the gamble paid off and up until Spongebob dethroned it Rugrats was Nickelodeon’s golden child. I was very young when Rugrats came out and it was the very first show I remember being obsessed with; dolls, toys, books, clothes, you name it and I had it. The movies actually hold up pretty well too (except Rugrats Go Wild, that can burn in the deepest recesses of Hades). I even went to the live show. The freaking cheesy as hell live show. I mean the premise of the entire series was actually relatable though the main characters were about 4-5 years younger than me; they had a great deal to learn about the world around them and often got lost in fantastic adventures using their imaginations while the yuppie parents went about being completely oblivious 80% of the time. That was my bread and butter when I was in my single digits.
The characters were also basic but likable and cute to boot; you got Tommy the intrepid leader always looking to explore everything, his best friend Chuckie the fraidycat who always had some sort of new phobia to conquer (and was my favorite by the way), the gross-loving twins Phil and Lil, and Tommy’s bratty cousin Angelica whom everyone loved to hate, myself included. More characters were added along the way like the badass Susie, Tommy’s infant brother Dil, and Chuckie’s stepsister Kimi, each one bringing something new and diverse to the show.
I’m not gonna say that it was the perfect animated show or the standard all kids shows should emulate though; I mean for one thing if this took place in the real world the babies would have been taken away by child services now because it surprises me just how wrapped up in their own problems the adults could be. Most of the time they neglect the kids long enough for them to get out of the playpen or stroller and wander around a strange area and nearly endanger themselves. That and the usual foray into poo-poo humor you’d expect when dealing with characters that are barely 2 years old. Some of the toilet jokes I remember would make Shrek gag in disgust. But hey, sometimes you gotta appeal to the lowest common denominator for kids. It doesn’t completely take away the fact that at its best it was a very cute show that played a major part in building Nickelodeon’s identity.
So how does their take on the most wonderful time of the year hold up? And why is it called The Santa Experience anyway? Let’s take a look.
(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material.)
“Sigh no more, ladies, sigh no more. Men were deceivers ever. One foot on sea, and one on shore, to one thing constant never. Then sigh not so But let them go And be you blithe and bonny, Converting all Your sounds of woe Into hey, nonny, nonny.”
Ah, William Shakespeare. The Bard. The muse of many. Stratford-Upon-Avon’s golden boy. The man who put humanity to prose and through his many poems, songs and plays revealed the nature of –
(sigh)
I had a feeling this would happen.
Now that I have your attention, let me say that I get what many of you are feeling right now. Chances are you were forced to read Shakespeare in your high school English class and you most likely found it the most dull indecipherable piece of literature to be praised as art since…well, take your pick of the other classics you probably had to read. Sadly, that’s the trap most English teachers fall into. Shakespeare wrote poetry, which is prime for studying and easy enough for most folks to understand, but he’s primarily famous for his plays, and plays aren’t supposed to be read like any other book – they’re supposed to be seen. Even I in my obsessive bookworminess had difficulty understanding what was really happening while reading Hamlet and Macbeth unless I read the side notes or my teacher put on film versions of the plays that we were reviewing.
I had a general grasp of how important the works of Shakespeare were and even had some interest in learning more about them unlike my bored classmates, but I was never quite able to appreciate the works of Will ’til long after I left the classroom setting. Much of that is primarily thanks to the videos of Kyle Kallgren and Overly Sarcastic Productions. Both reviewers have very distinctive styles – one an in-depth analysis that balances familiarity with the subject with pop culture playfulness, the other a speedy anime-drawn recap marked by a few snarky asides and often a gentle acoustic cover of a song related to the subject played over the end credits – but they both made me realize the reason why Shakespeare has persisted for over 400 years and is taught ad nauseum: his stories are universal. Be it love, war, vengeance, betrayal, magic, history, religion, family, legacy, the transition from youth to adulthood, gender and societal roles, or the very nature of being, the Bard has covered most every genre and theme known to man, and created some of the most popular stories and characters that have been revisited countless times by an infinite parade of directors, actors, cultures, and storytellers. One particular auteur was singled out by Kyle for revitalizing Shakespeare for the silver screen in the much latter half of the 20th century.
Kenneth Branaugh, the finest slice of Northern Irish ham you’ll ever see on stage or screen, and one of the most highly regarded Shakespearean thespians of our time, having both directed and starred in lavish film versions of Henry the Fifth, Hamlet, Love’s Labors Lost, As You Like It, a filmed stage adaptation of The Winter’s Tale and the movie I’ll be reviewing today, Much Ado About Nothing – or as I like to call it, the blueprint for every future rom-com ever made. There’s fanciful innuendos, a main couple and a smaller less important couple that we both want to see hook up, a black best friend providing both sage advice and comic relief, misunderstandings that could easily be cleared up in a matter of seconds if they stopped to think about it, and much of it hinges around a “will they-won’t they” plot that you could probably guess ends with “they will”. Branaugh can be beautifully subtle in both acting and style, but boy can he bring on the bombast whether we want it or not. In this case his over-the-top hamminess and obvious love for the material makes this outing a fun ride.
If you’re concerned that this review is going to be too highbrow compared to my usual work, there’s no need to worry. In some ways I’m on the same level as you guys. I confess that I’ve never seen any of Shakespeare’s plays performed live, I’m not very familiar with some of the language and phrasing outside of what little I remember from high school and some Youtube videos explaining select passages, and sadly my Cine-Kyle is still in the mail, but that’s never stopped me from enjoying many of the Bard’s works as seen on film (nor has it stopped me from trying to sound smarter than I really am). Once you understand the actions behind the flowery language, though, it’s pretty simple to take it from there. Never fear, I will be acting as your translator in my own unique way throughout this review.
Rocko’s Modern Life was one of my favorite Nicktoons growing up, though I had shockingly little memories of watching the holiday episode. I remembered the first minute, but not what happened afterwards, maybe because I was unable to finish watching it for whatever reason. When I got the complete series a few years back I was thrilled to finally watch it in its entirety and has since become one of my must-see annual Christmas episodes of any tv series. Sometimes I even watch it when it isn’t Christmas because it’s just too fun to have to wait for it.
For anyone who’s not familiar with Rocko’s Modern Life, it’s one of those cartoons that sounds really weird when trying to explain the premise yet works almost flawlessly in practice. Created during the first big wave of Nicktoons in the early 90’s Rocko’s Modern Life is a slice-of-life series about a down-to-earth wallaby, the titular Rocko, who moves from Australia to O-Town, U.S.A. and his miscellaneous adventures with his buddies as he adjusts to life in America. This being an early Nicktoon, it’s got wacky animation and a ton of adult humor that went over my head as a kid but I freaking loved it. It’s certainly not without some heart, either. Joe Murray, the creator, incorporated some of his own life experiences into certain episodes like “I Have No Son” and the famous “Wacky Delli” and you can tell it comes from a genuine emotional place. It’s a show shockingly very relatable now that I’m older. So how does it dish out its own brand of yuletide spirit? Let’s find out.
“Sigh no more, ladies, sigh no more.
(sigh)
