Vote for Your December Reviews!

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animated movie review, blog, Christmas, christmas carol, Christmas cartoon, christmas episode, Christmas movie, Christmas review, christmas special, christmas story, december, film review, holiday episode, holiday special, holiday tradition, movie, movie review, movie vote, pick a movie, vote, vote now

November’s just getting started but you know what that means – the floor is once again open to voting for Christmas-themed reviews! Visit the Christmas Shelf to see what shorts, specials and movies you can vote for. Pick one of each and let me know in the comments or by emailing me at upontheshelfshow@gmail.com before November 25th. The winners with the most votes will be reviewed all throughout December (never fear, the next Faerie Tale Theatre review will still be up on December 6th).

Can’t wait to see what you pick! Happy voting!

Christmas Shelf Reviews: Duck Tales 2017: “Last Christmas!”

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A Christmas Carol, adventure, animated, animation, cartoon review, Christmas, christmas carol, Christmas cartoon, christmas episode, Christmas review, christmas story, classic disney, david tennant, Della, Della Duck, Dewey, Disney, disney animation, disney review, Donald Duck, Duck Tales, ducktales, Fantasy, ghost, ghost of christmas future, ghost of christmas past, ghost of christmas present, ghost of christmas yet to come, holiday special, Huey, huey dewey and louie, jack mcbrayer, Launchpad, Louie, magic, Mrs. Beakley, quest, review, scrooge, Scrooge McDuck, tony anselmo, traditional animation, tv review, tv special, Uncle Scrooge, Webby, wendigo

I don’t think it’s a big secret that Gravity Falls is my favorite series from Disney. Not just animated series, I mean out of everything the channel ever churned out. It was mysterious, funny and occasionally frightening, with deep themes of family and growing up and some of the most well-written television characters to come from the 2010s. When it bowed out after two near-perfect seasons, it left some enormous shoes to fill. What show could possibly live up to the standards it set?

Well, it turns out the answer was one no one asked for, but we’re sure as hell thankful we got anyway.

Hot take for y’all, especially from someone who grew up in the 90’s and enjoyed the hell out of the original DuckTales: the 2017 reboot blows its predecessor out of the water. It takes the fun, creative adventures from the first series, adds a much-needed measure of character arcs and development (Huey, Dewey and Louie have actual distinct personalities now!) and amps it up with a huge dose of heart and enough lore borrowed from the Carl Barks and Don Rosa comics to win over even the most jaded fans. Also, as opposed to his unceremonious draft into the navy in the first series, Donald Duck finally has a part to play in the new adventures! (Well, in 13 out of the 65 of them anyway…way to get my hopes up, Disney.) By the time I was halfway through the first season I thought to myself, “Yes, this is it. This is the successor to Gravity Falls,” (though The Owl House definitely ties with that sentiment as well, and Amphibia isn’t too far behind).

I’m woefully behind on Season 3, but am well aware that they’re bringing in more characters and plots from the other classic Disney Afternoon series that were hinted at since the very start, and I can’t wait to see how they’re re-interpreted. On a similar note, since this episode deals with some major revelations from the tail end of Season One that have ramifications for the rest of the series, I must warn you that this review will have spoilers.

Rankin-Bass Month: Cricket On The Hearth (Review)

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2D animation, A Christmas Carol, animated, animated musical, animated special, animation, bertha, blind, blind girl, blindness, Britain, caleb, cartoon review, cat, charles dickens, Christmas, Christmas cartoon, christmas episode, Christmas review, christmas shopping, christmas special, christmas story, christmas toys, cricket, cricket crockett, Cricket On The Hearth, Danny Thomas, Dickens, dolls, England, green, green guy, hand drawn animation, Hans Conreid, holiday special, irish animation, London, magic toy, magic toys, Marlo Thomas, musical review, Paul Frees, Phelous, Rankin Bass, review, Roddy McDowell, Romeo Muller, tackleton, television review, the danny thomas hour, toy factory, toy shop, toymaker, toys come to life, toys coming to life, traditional animation, tv review, tv special, uriah, voice actor

Ladies and gentlemen, I have found it.

The lowest of the low.

The Rankin-Bass special that even Rankin-Bass fans despise.

Call it a hunch, but I think Charles Dickens really had a thing for Christmas. His most popular novel has the holiday in the title and has been adapted for the screen and stage at least over 200 times. Dickens set a few other tales at Christmastime, no doubt to recapture the magic and spirit of the holiday in the same way A Christmas Carol did, but those were met with less success. Does anyone here remember that classic “The Haunted Man”? That one was a ghost story that also took place at Christmas. Where are the hundreds of versions of that tale? Or “The Chimes” for that matter? Or “The Battle of Life”?

Then there’s today’s tale, “Cricket On the Hearth”, which only received two silent film adaptations (the first directed by D.W. Griffith) and a long-forgotten stage play. For yet-to-be-fathomed reasons, Rankin-Bass deemed it the perfect material to follow up their smash hit Rudolph three years prior. Instead of stop-motion animation, however, we get hand-drawn animation. While that would normally be a plus in my book, I’m not kidding when I say this is some of the cheapest, most unpleasant animation I’ve set my eyes on. It’s heavily recycled, the character designs are unappealing, and it cheats numerous times by just showing long periods of still images with nothing happening. I also had to be careful grabbing screenshots because the far-right side of the video flickered and was several frames off for some reason. And it wasn’t a corrupted file issue either, this is straight from the dvd. They aired this special on national television, how could they not be bothered to fix that?

And those are just the issues I have with the visuals.

The characters are one-dimensional tools, the songs are at best forgettable and at worst unbearable, and the story manages to be both devastatingly bleak and disgustingly saccharine while also insulting to its audience. Now, Charles Dickens was a talented writer knew how to properly mix those elements to tell a compelling and resonant story. In his Christmas tales, the sentimentality and darkness complement each other and ring true.

But guess who did such a bang-up job encumbering a song about ableist reindeer with a meandering hour-long plot that he was given free rein over the story?

Romeo, Romeo, wherefore art thou, Romeo? Deny thy special and refuse thy Writer’s Guild card. Or if not, throw thyself into the roaring cauldron of the sea and let the sirens peck at thy swollen flesh…sexist pig.

Well, this preamble has gone on long enough. Grab your insect repellent, folks, let’s look at Cricket On The Hearth.

Rankin-Bass Month: Santa Claus is Comin’ to Town (Review)

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animated, animated musical, animated special, animation, anthropomorphic animals, be prepared to pay, burgermeister, burgermeister meisterburger, chimney, Christmas, Christmas cartoon, Christmas review, christmas shopping, christmas special, christmas story, classic, dictator, elves, fight fascism, fight oppression, fight tyranny, first toymakers to the king, Fred Astaire, giving toys, holiday special, hope, jessica, Joan Gardner, Keenan Wynn, kringle, kringles, kris kringle, mailman, Mickey Rooney, my world is beginnning today, no more toymakers to the king, north pole, one foot in front of the other, Paul Frees, penguin, put one foot in front of the other, Rankin Bass, red suit, reindeer, Robie Lester, rudolph, s.d. kluger, santa claus, Santa Claus is Comin' To Town, santa claus is coming to town, santa mythos, santa origins, santa suit, santa tale, snow, somber town, sombertown, stop motion animation, stop-motion, tanta kringle, teacher, the life and adventures of santa claus, topper, toys, trippy animation, tv special, villain, vive la resistance, what better way to tell you, winter, winter warlock

Ah, back to stop-motion animation. After dealing with Frosty’s nonsense I’m unsure as to whether or not I missed it.

Like most iconic fictional characters, Santa’s been the subject of many origin stories. My personal favorite is The Autobiography of Santa Claus by Jeff Guinn, which combines his saintly origins with interesting tidbits about his modern portrayal and a ton of fun historical fiction (he’s helped shape events like Washington’s crossing of the Delaware, and instead of elves he has a boatload of historical figures gain immortality to help him including Leonardo Da Vinci, Theodore Roosevelt and Attila The freaking Hun! It had me at hello!) Of course, Rankin-Bass had to do their own spin on the Santa mythos (not for the last time either as one of their final specials was based on L. Frank Baum’s The Life and Adventures of Santa Claus) and they did it by combining it with their tried-and-true method of basing it off a holiday standard.

Rankin-Bass Month: Frosty the Snowman (Review)

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1970's, 2D animation, animals, animated, animated cartoon, animated special, animation, barney, billy dewolf, campfire, cartoon, cartoon review, Christmas, Christmas cartoon, Christmas review, christmas snow, christmas song, christmas special, cop, frosty, frosty the snowman, global warming, hand drawn animation, hocus pocus, holiday special, Jackie Vernon, Jimmy Durante, june foray, karen, kids, mad magazine, magic hat, magician, melting, paul coker jr, Paul Frees, pointsettas, professor hinkel, rabbit, Rankin Bass, santa, santa claus, school, sled, sliding, snow, snowflakes, snowman, snowy, television review, television special, traditional animation, train, tv review, tv special

Well…this is awkward.

When I first wrote this review, it opened with Cynicism saying “Bad news, Shelf. Since you shat on Rudolph last week, Patreon’s taking money AWAY from you. If you don’t say more nice things about this week’s special, we’re going to have to file for bankruptcy.” Just a fun little way of letting you know today’s post is going to be a bit less harsh than the previous one.

But then I checked my Patreon hours after the Rudolph review went up, and the numbers had shrunk substantially.

It actually happened.

A silly one-off joke I wrote to ease you, the reader, into the review, accidentally came true.

It’s like the universe itself is punishing me for daring to not like Rudolph.

Okay, the truth of the matter is a bit more complicated than that, but nobody actually quit being a patron based on my feelings towards Rudolph, for which I am relieved and grateful for. It’s already been sorted out and I certainly don’t hold this mishap against anyone because of events beyond their control.

Anyway, enough of my rambling. If you can’t already tell, today’s holiday outing is Frosty The Snowman.

Frosty, Frosty, Frosty…yeah, not a big fan of this one either.

“YOU HATE FROSTY TOO, YOU MONSTER?!”

“I didn’t say THAT!”

Frosty, like Rudolph, was another Rankin-Bass special I lost my taste for due to forced overexposure. It’s light on story and character, the animation is nothing to write home over, and we trade a bunch of subpar songs for one song dragged across the entire affair. But I’ll give it this over Rudolph:

1. It’s shorter. Slashed right down the middle of Rudolph’s runtime, Frosty’s only twenty-five minutes of schmaltzy bland holiday fare instead of nearly an hour.
2. The only jerk in the special is the clear-cut villain, who’s the most fun character in this thing.
3. The cheap stop-motion has been replaced by cheap traditional animation. Not much of an exchange, I’ll take any crumbs of hand-drawn goodness I can get these days.

If I may elaborate on the latter, the designs for the characters and backgrounds are kind of interesting. The man behind them is Paul Coker Jr., who also created comics for MAD Magazine, hence why the characters have a bit of a unique geometric aesthetic but are still kind of…weird-looking. Alfred E. Neuman wouldn’t feel out of place among this cast.

Rankin-Bass Month: Rudolph the Red-Nosed Reindeer (Review)

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1960's, abominable snowman, animagic, anti-bullying, Billie Mae Richards, bullying, bumble, burl ives, charlie in the box, Christmas, christmas elves, Christmas Eve, christmas special, christmas town, Clarice, coach, comet, dentist, dentistry, Donner, elf, elves, fame and fortune, flying lion, gay, groupthink, Hays Code, Hermey, hermey the misfit elf, holiday special, holly jolly christmas, island of misfit toys, isle of misfit toys, king moonracer, kris kringle, misfit, misfits, mrs. claus, music, musical, nightmare before christmas, north pole, nostalgia, outdated, racist, Rankin Bass, real time fandub, reindeer, reindeer games, Romeo Muller, rudolph, Rudolph the Red Nosed Reindeer, rudolph's dad, rudolph's dad is the worst, sam the snowman, santa claus, sexist, silver and gold, snowman, song, songs, spotted elephant, stop motion animation, stop-motion, talking snowman, the bumble, the worst, there's always tomorrow, toys, tv review, tv special, unpopular opinion, we are santa's elves, we're a couple of misfits, winged lion, Yukon Cornelius

Hi! If this is your first time here, I highly recommend checking out my other movie/tv/holiday special reviews before this one, just to get a more positive idea of what to expect from my writing. Usually, I’m not this…well, you clicked on this review, didn’t you?

I suppose I should begin this month with a little bit of Rankin-Bass’ history. It was founded in 1960 by Arthur Rankin Jr. and Jules Bass under the name Videocraft International. They began by producing animated television series for children, alternating between stop-motion and traditional cel animation before combining both with a process they called “Animagic” (which sounds more like a fireworks show at Disney World than an actual animation technique if you ask me). All the animation for these shows and the holiday specials and films that they would later branch out into were outsourced to Japan. Throughout the studio’s existence, work rotated between five different Japanese animation houses: MOM Production, Toei Animation, TCJ (Television Corporation of Japan), Mushi Production, and Topcraft. Chances are if you’re into anime, then these names ring a few bells. These studios have produced hit after hit on the big and small screen, with some of them continuing to do so today, and many of Topcraft’s animators went on to bigger and better things at Studio Ghibli.

Most of Rankin-Bass’ Christmas specials, particularly the ones I’ll be looking at, follow a simple formula – take a well-known holiday song and build a story around it. It’s not a bad concept if a bit overutilized. Their first outing, and most beloved in the eyes of many, is Rudolph The Red-Nosed Reindeer, based on the tune of the same name written by Johnny Marks (who would also write the other songs in the special) and popularized by Gene Autry in 1949. The song itself was taken from a children’s book created a decade prior to promote the Montgomery Ward department store, and the special was sponsored by General Electric, who, by a stunning coincidence, were selling Christmas lights that holiday season which happened to resemble Rudolph’s nose.

In short, this special originated as a commercial, and always was one through and through.

In spite of its original intent, Rudolph has become a holiday staple and icon as big as Santa Claus himself. And if you are one of the millions of people on this planet who loves this special, there is absolutely nothing stopping you from doing so, and you are not wrong for enjoying it. After all, this is just one person expressing their opinion. If this person’s opinion differs from yours, that doesn’t invalidate how you feel nor should you feel as if you absolutely must agree with them –

“Hey…you’re making it sound like you’re about to say something bad about Rudolph!”

“Well, I-“

“Nobody dislikes Rudolph! Everyone in the entire world loves it! It’s a classic! The perfect Christmas special! You like Rudolph too, right? RIGHT?!”

“Well…”

Christmas Shelf Reviews: Toy Story That Time Forgot (2014)

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80s toys, Andy, angel kitty, animated, animated special, animation, Battlesaur Cleric, battlesaurs, Bonnie, Buzz, Buzz Lightyear, cgi animation, Christmas, Christmas review, christmas special, dinosaur toy, dinosaur toys, dinosaurs, Disney, Don Rickles, gladiator, holiday special, Jessie, Jessie the Yodeling Cowgirl, John Lasetter, Kevin McKidd, kristen schaal, Mr. Potato Head, Mr. Pricklepants, Pixar, playset, playtime, presents, pterodactyl, Reptillus, Rex, Sheriff Woody, Steve Purcell, Studio Trigger, t rex, Tim Allen, Tom Hanks, Toy Story, Toy Story of Terror, Toy Story That Time Forgot, triceratops, Trixie, Wallace Shawn, Woody

I’m not sure which astounds me more – that it took me this long to finally talk about Pixar, or that the first Pixar thing I’ll be reviewing isn’t one of their movies.

Toy Story is a series that I’d say had its highs and lows if it wasn’t for the general opinion that it’s been nothing but highs – and I can see where that would stem from. No one expected the first fully computer animated film to be more than a novelty, let alone a box-office success, and especially not a cultural phenomenon that put Pixar on the map. The whole story of Toy Story’s genesis is worth an analysis of its own, but I’m saving that for when I look into one of the actual movies themselves. For now, the special.

Despite every plot point and character arc of the Toy Story saga being nicely wrapped up at the end of the third movie, that didn’t stop the Pixar crew from playing around with their toys; if anything, a new locale and characters meant even more storytelling possibilities. So when they weren’t twiddling their thumbs debating whether it was too soon to make Toy Story 4, they began releasing Toy Story shorts in front of select movies. They were fast, funny, and always in the spirit of the trilogy. Then in October 2013 came their very first television special, Toy Story of Terror, which I consider one of the most perfect half-hour holiday themed pieces of programming to grace the airwaves (suck it, Great Pumpkin). It was a dark adventure that cleverly paid homage to classic horror tropes without losing that trademark Pixar humor and heart. But perhaps what I love most about it is how it expanded upon one of my favorite characters from the series, Jessie, and elevated her to the spotlight. I know I’m not alone in noticing how Pixar is something of a boys club when it comes to their features, so having the ladies take the field is a nice change.

Ehhhhhhh….

That’s better.

It should come as no surprise that after Toy Story of Terror’s success, another special was greenlit. Originally pitched as a short, some nobody at Pixar named John Lasseter expanded upon it until it became Toy Story That Time Forgot (though apparently he was so busy expanding that he forgot to put a “The” in front of it, thus driving all grammatical sticklers insane). But does the lightning strike twice or does it…something…toy metaphor for failing…

“Look, writing three whole reviews during the busiest month of the year is hard, ok?”

Christmas Reviews: “Arnold’s Christmas”

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Arnold, Arnold's Christmas, Bailey, Christmas, Christmas cartoon, christmas shoes, christmas shopping, Craig Bartlett, family reunion, Gerald, Gerald Johanssen, Grandma, Grandpa Phil, Helga, Helga On The Couch, Helga Pataki, Hey Arnold, holiday special, Mr. Hyunh, nickelodeon, Nickelodeon Christmas, Nicktoon, Olga, Oskar Kokoschka, Seattle, The Patakis, tv special, vietnam, winter

In my last episode I talked about Rugrats and how big a part of my childhood it was. While nothing will ever change that, there’s one other Nicktoon that came out a few years later which certainly rose in my estimation as I got older.

Originally a character created by Craig Bartlett as a series of claymation shorts for Sesame Street, Hey Arnold was a show that brought us a colorful cast of characters and taught some surprisingly deep life lessons when not making us crack up. It centers around the titular Arnold, your seemingly average nice guy kid who’s the voice of reason among his group of eclectic friends and the kooky boardinghouse he calls home (and if it were up to me the complete series DVD set would come in a box shaped like that boardinghouse and have the stampede of animals from the into pop out when you open it, but we can still dream). Boasting a jazzy soundtrack, unique character designs, great voicework done by actual kids instead of adults posing as them, and some unforgettable moments of humor and heartbreak, it’s become a cult classic that 90’s kids like myself consider one of the very best of the original Nicktoons. And of course this past November, after fifteen agonizing years of wondering and waiting, we finally got the long-awaited Jungle Movie where the mystery of what the heck happened to Arnold’s parents was solved, so this is my one chance to hit on one of the standout entries to this classic series while the iron’s still hot. Let’s take a look at “Arnold’s Christmas”.

Christmas Reviews: “The Spongebob Christmas Special (Christmas Who?)”

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bikini bottom, Christmas, Christmas cartoon, christmas episode, Christmas review, christmas special, Christmas Who, cookie dough, holiday special, mr. krabs, nickelodeon, Nickelodeon Christmas, Nicktoon, nicktoons, Patchy the Pirate, patrick, Patrick Star, Plankton, Potty the Parrot, Sandy, Sandy Cheeks, santa claus, spongebob squarepants, Squidward, Squidward Tentacles, Stephen Hillenburg, tv review, tv special, under the sea, very first christmas

All right, I have to start with a bit of a confession:

I freaking love Spongebob Squarepants.

Yes it’s been overplayed and overmarketed to death.

Yes the internet is overly saturated with memes spawned from it.

Yes Nickelodeon has dragged it out far longer than it should have like some other animated shows starring yellow characters I could mention to the point where the characters are zombie versions of their old selves.

None of that can ruin the classic first few years of its existence for me. When it was good, it was really freaking good; like Seasons 2-8 of The Simpsons good – bright, colorful and silly with wry and surreal humor that appeals to both kids and adults without pandering to one or the other. My friends and I still quote it in our conversations and it never fails to crack us up. I still regard it as one of the best cartoons to come out of the past two decades (it’s been on air for almost 20 years now, holy shit I feel old…)

So needless to say getting to finally talk about one of my favorite episodes, the Christmas one, has got me as excited as our titular character doing double overtime at the Krusty Krab. Let’s take a look at The Spongebob Christmas Special, aka “Christmas Who?”

Christmas Reviews: “Marge Be Not Proud”

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animated, Bart, Bart Simpson, bonestorm, Christmas, Christmas cartoon, christmas episode, christmas special, holiday episode, holiday special, Homer, Homer Simpson, Krusty the Clown, Lawrence Tierney, Lisa, Lisa Simpson, Maggie, Maggie Simpson, Marge, Marge Be Not Proud, Marge Simpson, Matt Groening, Mike Scully, Milhouse, mother and son, Season 7, Springfield, The Simpsons, try n save, tv special, video games

Happy Holidays everyone! That’s right, as a present to you all for sticking around for so long without consistent movie reviews, I’m bringing back mini Christmas reviews for the month of December. Once a week leading up to December 25th I’ll be sharing thoughts on some of my favorite shorts, specials and TV episodes that center around the most joyful time of the year.

Speaking of stories, sometimes the best ones can come from personal, even uncomfortable places. Mike Scully, longtime Simpsons writer who was behind the episode we’ll be looking at today, was once pressured as a boy to engage in some shoplifting and was caught almost immediately. The experience traumatized him, but as he jokingly told Variety in an interview, “It’s great to be paid for reliving the horrors of your life.” “Marge Be Not Proud” could have been an episode that wouldn’t feel out of the ordinary if it took place on any given day, but the fact that Scully decided to have it happen around Christmas gives it some extra weight both in context of the plot and in real life. This was the first Simpsons Christmas episode since “Simpsons Roasting on an Open Fire”, exactly six years ago to the day. Let’s see if it lives up to that one’s standards.