Christmas Reviews: “The Santa Experience”

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1990's, 90's, 90's cartoons, Angelica, Christmas, Christmas cartoon, christmas episode, christmas special, Chuckie Finster, Grandpa Lou, kidnap the sandy claws, Klasky-Csupo, naughty list, naughty or nice, nice list, nickelodeon, Nickelodeon Christmas, Nicktoon, nicktoons, Phil and Lil, Rugrats, santa claus, Spike, The Santa Experience, Tommy Pickles

For a very brief couple of seconds on October 9th of this year some of you may have noticed that this review went up all of a sudden just to disappear as quickly. I’ve said before it was due to some issues trying to reschedule the review for another date in December and had to give away the surprise that I’d be looking at more holiday shorts. Well, here’s the actual review. Let’s hope it doesn’t disappoint as I review at another nostalgic staple from my childhood, Rugrats.

An animated show that takes place from the point of view of a baby doesn’t sound like a particularly risky idea, but back when it was among the first crop of original Nicktoons to be pitched to Nickelodeon, it was. Suffice it to say that the gamble paid off and up until Spongebob dethroned it Rugrats was Nickelodeon’s golden child. I was very young when Rugrats came out and it was the very first show I remember being obsessed with; dolls, toys, books, clothes, you name it and I had it. The movies actually hold up pretty well too (except Rugrats Go Wild, that can burn in the deepest recesses of Hades). I even went to the live show. The freaking cheesy as hell live show. I mean the premise of the entire series was actually relatable though the main characters were about 4-5 years younger than me; they had a great deal to learn about the world around them and often got lost in fantastic adventures using their imaginations while the yuppie parents went about being completely oblivious 80% of the time. That was my bread and butter when I was in my single digits.

The characters were also basic but likable and cute to boot; you got Tommy the intrepid leader always looking to explore everything, his best friend Chuckie the fraidycat who always had some sort of new phobia to conquer (and was my favorite by the way), the gross-loving twins Phil and Lil, and Tommy’s bratty cousin Angelica whom everyone loved to hate, myself included. More characters were added along the way like the badass Susie, Tommy’s infant brother Dil, and Chuckie’s stepsister Kimi, each one bringing something new and diverse to the show.

I’m not gonna say that it was the perfect animated show or the standard all kids shows should emulate though; I mean for one thing if this took place in the real world the babies would have been taken away by child services now because it surprises me just how wrapped up in their own problems the adults could be. Most of the time they neglect the kids long enough for them to get out of the playpen or stroller and wander around a strange area and nearly endanger themselves. That and the usual foray into poo-poo humor you’d expect when dealing with characters that are barely 2 years old. Some of the toilet jokes I remember would make Shrek gag in disgust. But hey, sometimes you gotta appeal to the lowest common denominator for kids. It doesn’t completely take away the fact that at its best it was a very cute show that played a major part in building Nickelodeon’s identity.

So how does their take on the most wonderful time of the year hold up? And why is it called The Santa Experience anyway? Let’s take a look.

October Review: The Nightmare Before Christmas (1993)

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barrel, catherine o'hara, chris sarandon, Christmas, christmas elves, christmas town, claymation, creatures, danny elfman, Disney, disney animated, disney animated feature, disney animated movie, disney animation, disney review, dr. finklestein, elves, experiments, finale reprise, finklestein, gambling monster, ghost dog, glenn shadix, greg proops, Halloween, halloween town, halloweentown, harlequin demon, haunted mansion holiday, henry selick, jack skellington, jack's lament, jack's obsession, ken page, kidnap the sandy claws, lock, lock shock and barrel, mad scientist, making christmas, mayor, monsters, nightmare before christmas, oogie, oogie boogie, oogie boogie's song, paul reubens, poor jack, rudolph, sally, sally's song, sandy claws, santa claus, shock, simply meant to be, stop motion animation, stop-motion, the nightmare before christmas, this is halloween, tim burton, touchstone, touchstone pictures, town meeting song, what's this, zero

(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material.)

“Twas a long time ago,

Longer now than it seems

In a place that perhaps you’ve seen in your dreams

For the story that you are about to be told

Took place in the holiday worlds of old.

Now you’ve probably wondered where holidays come from.

If you haven’t, I’d say it’s time you’d begun…”

– Opening narration

The Nightmare Before Christmas is a movie that I’ve always had a personal connection to. It was released when I was just a child, but I can still remember seeing ads and toys for it in certain places and being oddly fascinated by it, despite the fact that it had ghosts and skeletons and monsters and other such things that would usually scare the bejeezus out of me at that age. I can still remember my first time ever seeing the movie – not in theaters, but at my cousin’s third birthday party. He was a year younger than me, and on his birthday that year, all us kids gathered in the basement of his house and watched this movie in the dark. Whether there were any adults there to supervise us I can’t say, but I can say that I was enraptured by every second of it. I can vaguely remember some of the other children being a little afraid, but I wasn’t (well, maybe for two parts, but those were rather quick moments that didn’t traumatize me as much as you might think). Up until then I had never seen anything like The Nightmare Before Christmas; it was dark but not gruesome, lighthearted without being sappy, humorous, heartwarming, and the visuals and the music stayed in my head long afterwards.

I remember really enjoying it, but a long time passed between that one viewing and the next time I would see it again. For whatever reason, maybe they thought I would be too scared by it, my parents never bought the movie for me. It wasn’t until I was about thirteen or fourteen that I caught it on HBO one day, and all those memories of watching it through the eyes of a child came flooding back. I became obsessed with The Nightmare Before Christmas big time, watching it and listening to the soundtrack even when it wasn’t Halloween or Christmas, learning all I could about the movie via books and dvd bonus features, and yes, making fanart of the characters. It was my gateway to the dark and quirky world of Tim Burton, and seeing as how I was also going through an angry, rebellious, anti-Rankin-Bass phase as a teenager, I embraced this movie with open arms while my family looked on with something that wasn’t quite disgust and wasn’t quite confusion.

And for the record, this was BEFORE this chain got their sticky fingerless gloves all over it and slapped the characters’ faces on everything they could sell, freakin’ posers.

So you may be wondering what the story behind this odd little film is. Well, back in the 80’s Tim Burton worked for Disney as an animator. Yes, the Man of Merry Macabre once worked for the bright and squeaky-clean House of Mouse. I still have a hard time believing it (What Alice in Wonderland movie? Disney only made one Wonderland film and it was animated, silly!) Burton’s time at Disney wasn’t a happy one as most of his ideas were shot down for being too dark and different and he wasn’t too keen on drawing only cutesy animals for a living.

One day, while walking down a street, he came across a window display in a store having its Halloween decorations switched out with Christmas ones and inspiration struck. He wrote a poem based on the classic holiday tome “The Night Before Christmas” showing what happened when two holidays collided. Initially he pitched it as a half-hour stop-motion special, ironically in the style of Rankin-Bass, and he wanted it to be narrated by his idol, Vincent Price. Disney, however, wasn’t interested, and Burton would eventually leave the studio. It wasn’t until after he achieved popularity with “Beetlejuice” and “Batman” that Disney approached him with the idea of turning The Nightmare Before Christmas into a movie. Burton was all for it, but couldn’t direct it himself due to his commitment to filming “Batman Returns”. Instead, he got stop-motion artist Henry Selick to direct it.

Now I’d like to clarify something right away – this is a Tim Burton movie through and through; his name and signature style may be all over this film (heck, the title of the film is preceded by Burton’s name just to remind you whose brainchild it was), but I cannot give enough credit to Henry Selick. The man is a genius of stop-motion; his name is up there with Ray Harryhausen and Nick Park as the best in the business. People often assume that because it’s a Burton film with his name in the title that Tim Burton directed it, but it’s not. Selick did an amazing job with this movie and I’m happy to say it’s led to a very fruitful career for him, directing other stop-motion greats such as James and the Giant Peach and Coraline. Even though there have been innovations in animation since then, this film looks just as great today as it did twenty years ago. So while the story and characters are pure Tim Burton, this movie is just as much Henry Selick’s as it is Tim’s. You’ll see why when I finally get around to reviewing it…

…which is now.

We open in the middle of a forest, where, in a clearing, there is a circle of trees, each one with a door representing a different holiday – an egg for Easter, a heart for Valentine’s Day, a clover for St. Patrick’s Day, a Christmas tree for Christmas, a turkey for Thanksgiving, a jack-o-lantern for Halloween, and one which for years I was unsure was either a firecracker for 4th of July or a dreidel for Hanukkah. We can only imagine how this film would have turned out if it was “The Nightmare Before Hanukkah” instead of Christmas.

Anyway, as the opening narration wraps up, we enter the jack-o-lantern door and we get our first musical number “This is Halloween.”

Oh, and did I forget to mention that longtime Tim Burton collaborator and former Oingo Boingo frontman Danny Elfman did the music for this movie? How foolish of me. How could it have possibly slipped my mind when this music is OHMYGOSHUNBELIVABLYAWESOMEANDBEAUTIFULANDBLAAAAAAGHHHH –

…

…

Uh, can I pay you to pretend that didn’t just happen?