Happy 30th anniversary to the incredible fantasy that I’ve praised multiple times before, Terry Gilliam’s The Adventures of Baron Munchausen! I was shocked to see it not come up on the movie anniversary sign-up list for MovieBabble and immediately set out to rectify that.
If you haven’t seen it before or need a reminder as to why it’s a film that deserves more recognition, click HERE to read my article on it. Also, please enjoy this fan-made trailer I made a while back. For glory, adventure, and the defiance of reality!
(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material.)
“Twas a long time ago,
Longer now than it seems
In a place that perhaps you’ve seen in your dreams
For the story that you are about to be told
Took place in the holiday worlds of old.
Now you’ve probably wondered where holidays come from.
If you haven’t, I’d say it’s time you’d begun…”
– Opening narration
The Nightmare Before Christmas is a movie that I’ve always had a personal connection to. It was released when I was just a child, but I can still remember seeing ads and toys for it in certain places and being oddly fascinated by it, despite the fact that it had ghosts and skeletons and monsters and other such things that would usually scare the bejeezus out of me at that age. I can still remember my first time ever seeing the movie – not in theaters, but at my cousin’s third birthday party. He was a year younger than me, and on his birthday that year, all us kids gathered in the basement of his house and watched this movie in the dark. Whether there were any adults there to supervise us I can’t say, but I can say that I was enraptured by every second of it. I can vaguely remember some of the other children being a little afraid, but I wasn’t (well, maybe for two parts, but those were rather quick moments that didn’t traumatize me as much as you might think). Up until then I had never seen anything like The Nightmare Before Christmas; it was dark but not gruesome, lighthearted without being sappy, humorous, heartwarming, and the visuals and the music stayed in my head long afterwards.
I remember really enjoying it, but a long time passed between that one viewing and the next time I would see it again. For whatever reason, maybe they thought I would be too scared by it, my parents never bought the movie for me. It wasn’t until I was about thirteen or fourteen that I caught it on HBO one day, and all those memories of watching it through the eyes of a child came flooding back. I became obsessed with The Nightmare Before Christmas big time, watching it and listening to the soundtrack even when it wasn’t Halloween or Christmas, learning all I could about the movie via books and dvd bonus features, and yes, making fanart of the characters. It was my gateway to the dark and quirky world of Tim Burton, and seeing as how I was also going through an angry, rebellious, anti-Rankin-Bass phase as a teenager, I embraced this movie with open arms while my family looked on with something that wasn’t quite disgust and wasn’t quite confusion.
And for the record, this was BEFORE this chain got their sticky fingerless gloves all over it and slapped the characters’ faces on everything they could sell, freakin’ posers.
So you may be wondering what the story behind this odd little film is. Well, back in the 80’s Tim Burton worked for Disney as an animator. Yes, the Man of Merry Macabre once worked for the bright and squeaky-clean House of Mouse. I still have a hard time believing it (What Alice in Wonderland movie? Disney only made one Wonderland film and it was animated, silly!) Burton’s time at Disney wasn’t a happy one as most of his ideas were shot down for being too dark and different and he wasn’t too keen on drawing only cutesy animals for a living.
One day, while walking down a street, he came across a window display in a store having its Halloween decorations switched out with Christmas ones and inspiration struck. He wrote a poem based on the classic holiday tome “The Night Before Christmas” showing what happened when two holidays collided. Initially he pitched it as a half-hour stop-motion special, ironically in the style of Rankin-Bass, and he wanted it to be narrated by his idol, Vincent Price. Disney, however, wasn’t interested, and Burton would eventually leave the studio. It wasn’t until after he achieved popularity with “Beetlejuice” and “Batman” that Disney approached him with the idea of turning The Nightmare Before Christmas into a movie. Burton was all for it, but couldn’t direct it himself due to his commitment to filming “Batman Returns”. Instead, he got stop-motion artist Henry Selick to direct it.
Now I’d like to clarify something right away – this is a Tim Burton movie through and through; his name and signature style may be all over this film (heck, the title of the film is preceded by Burton’s name just to remind you whose brainchild it was), but I cannot give enough credit to Henry Selick. The man is a genius of stop-motion; his name is up there with Ray Harryhausen and Nick Park as the best in the business. People often assume that because it’s a Burton film with his name in the title that Tim Burton directed it, but it’s not. Selick did an amazing job with this movie and I’m happy to say it’s led to a very fruitful career for him, directing other stop-motion greats such as James and the Giant Peach and Coraline. Even though there have been innovations in animation since then, this film looks just as great today as it did twenty years ago. So while the story and characters are pure Tim Burton, this movie is just as much Henry Selick’s as it is Tim’s. You’ll see why when I finally get around to reviewing it…
…which is now.
We open in the middle of a forest, where, in a clearing, there is a circle of trees, each one with a door representing a different holiday – an egg for Easter, a heart for Valentine’s Day, a clover for St. Patrick’s Day, a Christmas tree for Christmas, a turkey for Thanksgiving, a jack-o-lantern for Halloween, and one which for years I was unsure was either a firecracker for 4th of July or a dreidel for Hanukkah. We can only imagine how this film would have turned out if it was “The Nightmare Before Hanukkah” instead of Christmas.
Anyway, as the opening narration wraps up, we enter the jack-o-lantern door and we get our first musical number “This is Halloween.”
Oh, and did I forget to mention that longtime Tim Burton collaborator and former Oingo Boingo frontman Danny Elfman did the music for this movie? How foolish of me. How could it have possibly slipped my mind when this music is OHMYGOSHUNBELIVABLYAWESOMEANDBEAUTIFULANDBLAAAAAAGHHHH –
…
…
Uh, can I pay you to pretend that didn’t just happen?
(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material.) “Most of you won’t remember me or my adventures, but I assure you, they are true.”
– Baron Hieronymus Karl Friedrich Freiherr von Münchhausen
I’m sure the few of you who know of this movie’s existence are jumping in your seats right now since someone on the internet is finally looking at it. I’m also sure that those of you who haven’t are scratching your heads in confusion. Allow me to elucidate –
“The Adventures of Baron Munchausen” is a fantasy film released in 1988 that is the final chapter in Terry Gilliam’s Imagination Trilogy, the previous two being “Time Bandits” and “Brazil”. These are films that deal with escaping the humdrum, conformity, and injustice of society through imagination, with each film representing the struggle to do so at different ages. Time Bandits does this through the eyes of a child; with Brazil we see it happen with a middle-aged man. Today’s film does this with an old man, or rather, several old men breaking free of the constraints of modern-day progress and performing fantastical feats to fight back against those who would force it upon them.
In other words, if you ever wanted to see a 2-hour long version of “The Crimson Permanent Assurance”, today’s your lucky day.
But first a bit of background about the man behind this movie.
Terry Gilliam – three things usually come to mind when you hear his name: that one guy from Monty Python, weird-ass director/animator, or, as Hollywood tends to peg him, the Director With the Worst Luck In the Universe. Why is that, you may ask? Things started off well-enough for him, directing some of the Python’s most beloved films (though most of the credit went to the other Terry in the group) and the financially and critically successful Time Bandits (which is a film I’ve noticed people either love or hate; My boyfriend is in the latter category so I choose not to discuss it any further).
It all started during the filming of Brazil. The studio executives started meddling with his vision, insisting that they change the ending and cut stuff out, and in the end released a version that’s considered on par with the Mona Lisa after an unfortunate meeting with a chainsaw. This resulted in the film bombing at the box office, and from there, it all went downhill. Sure, “The Fisher King” and “12 Monkeys” kept Terry afloat for a while, but “Fear and Loathing in Las Vegas”? A cult favorite today, but reviled back then. His Don Quixote movie? Never even got off the ground due to production troubles. “The Brothers Grimm”? Failed in everything but the casting. “The Imaginarium of Dr. Parnassus”? His lead actor DIED halfway through filming (which makes me wonder if getting lost in playing the Joker was what really killed Heath Ledger). Terry Gilliam’s reputation for being a box-office curse has preceded him so much that he was turned down by Warner Bros. executives in favor of Chris Columbus to direct the first Harry Potter film despite being JK Rowling’s first choice, something that poor Terry has never gotten over.
I bring all this up because the film we’re looking at today, The Adventures of Baron Munchausen, is practically a textbook example of Murphy’s Law, in that everything that could go wrong during filming did. You could write a book on the problems that occurred; in fact, they have! There was constant fighting between Gilliam, the producers and the studio, the production went tremendously over budget, I’m certain almost every actor involved got PTSD (Eric Idle flat out said no one in their right minds should ever be in a Terry Gilliam film unless they want to be driven insane. Ouch.), and a major change in management at Columbia resulted in the film getting limited release, ensuring its total box office failure…
…which is why it’s such a miracle that this film is as amazing as it is.
I mean it. I really do love this film. It’s easily in my Top 10 Favorites, and it saddens me that it does not get anywhere near as much love and appreciation as it should. There are very few movies as creative, as funny, as adventurous, as fantastical, as occasionally heartwarming, or as flat-out insane as Baron Munchausen. Time Bandits may have a lot of nostalgic value for some, and Brazil is daring and bizarre in all the right ways, but this? For all the fiascoes behind the scenes, you could never tell by how well they pulled it off. This is one of those rare movies that somehow, subtly, worm their way into my heart by including just a little bit of everything that I adore without me realizing it until after I’m hooked. With every viewing I discover some new detail or level of brilliance. I seriously consider it one of the last great fantasy films of the 1980’s, and one that is overlooked far more than it should be. It had a decent shelf-life after being released on video, but not to the point of, say “The Princess Bride” or Don Bluth’s films, where kids growing up renting them on VHS have made them household names today. I can name the amount of people I know who are aware of this film’s existence on one hand – my boyfriend, reviewer Huey Toonmore, the cashier at the Barnes and Noble where I bought this movie who started up a conversation about it with me, and the lady behind me in line at said Barnes and Noble who joined our conversation. It’s rare when you find something that manages to stop a line for several minutes so three random strangers can discuss it, but there you go.
So I know what you’re thinking about this review after my singing of its praises and giving an overly long backstory – I wish I could say that’s the last Python reference I’ll make in this review, but I make no promises. Let’s begin.
Up On The Shelf 